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VCA Art 2024

Rachel Gresswell

A beginning, with malapropism. That slippage between what is said and what is meant.
The aural miscue. Words passing between the sacred and the profane.
Even grammar has a soul. So says Leonora Carrington.*
Malapropism is a soul trigger; it makes me think about God.
.

A continuing, with light. Of cloudy edges, opaque surfaces, reflections, projections.
Half done, undone.
Here and there. Here to there.
.


Exploring the entanglement of faith-making and art practice, this expanded drawing project presents a series of meditations, a thinking-through-drawing. I am interested in the generative potential of drawing (verb). Where personal stories and literary threads coalesce with matters of faith, and where material considerations reflect thematic concerns of shifting states and unfixedness.



*Jennifer Higgie, The Other Side - A Journey into Women, Art and the Spirit World (London: Weidenfeld & Nicolson, 2023).

Rachel Gresswell, Installation View. Image Courtesy of University of Melbourne.

Rachel Gresswell, light and heft, charcoal on paper, 280 x 150 cm, 2024

Rachel Gresswell, light and heft, charcoal on paper, 280 x 150 cm, 2024

Rachel Gresswell, innocent murmur, installation view, charcoal on paper, archival tape, 2024

Rachel Gresswell, innocent murmur (detail), charcoal on paper, archival tape, 56 x 76 cm, 2024

Rachel Gresswell, dust, gust, gist, gift, installation view, charcoal on paper, tissue, tape, video, projection, 2023, image credit: Jaime Emily Powell

Rachel Gresswell, dust, gust, gist, gift (detail), charcoal on paper, tissue, tape, 2023, image credit: Jaime Emily Powell

Master of Fine Art
Victorian College of the Arts
Faculty of Fine Arts and Music
University of Melbourne
PRV12150 / CRICOS: 00116K