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VCA Art 2024

Nnamdi Ekeledo-Smith

My work has recently began exploring the exciting potential of re-imagining and re-grounding African diasporic identity through the lens of Afrofuturism, engaging with themes of (re) presentation vs. representation. I have found Afrofuturism provides a space of reclamation for African diasporic culture and heritage, allowing us to see and celebrate our cultures beyond western narratives. Through Bold symbols such as the raised fist, the watchful eye and other cultural symbols from throughout the continent found in my journey of reconnection with my west African heritage.

In the 2024 VCA grad show I am exhibiting a series of paintings blending traditional African motifs with futuristic visions in an attempt to question and challenging the limitations imposed by mainstream western perspectives on black bodies. This series invites the viewers to question and think about how they see black culture, identity, and resilience. By combining cultural symbols with a speculative ideas or modern technology, I am taking a hands on approach in re-presenting diasporic Afrofuturism, in an attempt to create a space where diasporic communities can find empowerment and viewers can explore a more inclusive vision of identity and belonging.

Nnamdi Ekeledo-Smith, Installation View. Image Courtesy of University of Melbourne.

Nnamdi Ekeledo-Smith, Re presentation 2

Nnamdi Ekeledo-Smith, Re presentation 3

Nnamdi Ekeledo-Smith, Re presentation 4

Nnamdi Ekeledo-Smith, Re presentation 5

Honours
Victorian College of the Arts
Faculty of Fine Arts and Music
University of Melbourne
PRV12150 / CRICOS: 00116K