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VCA Art 2024

Allie Currie

Within my sculptural practice, my obsession with papier-mâché and abstract forms takes centre stage, offering a means to transform and reframe how I perceive the world and my place in it.

Through these quirky organic shapes, I explore the intersection of maternal care and tactile experience in contemporary soft sculpture, reflecting and challenging traditional notions of nurturing, identity and ambiguity. I envision my pieces to be pressed, traced and embraced by viewers, inviting interaction without guilt.

The cow, a longstanding symbol of nourishment and motherhood, has become a central symbol to my exploration of maternal bonds and the often-overlooked exploitation within the dairy industry. My 2.8-meter-high, upside-down furry cow udder represents not only a source of sustenance but also the agricultural ethical dilemmas of confinement, prompting questions about the balance between nurture and control.

Allie Currie, Installation View. Image Courtesy of University of Melbourne.

Allie Currie, The good shit, resin, glitter, 2024.

Allie Currie, Abstract moo, plastic sheets, 2024.

Allie Currie, studio pic featuring polka dot cows, papier-mâché, 2024.

Allie Currie, The good shit 2, resin, glitter, 2024.

Honours
Victorian College of the Arts
Faculty of Fine Arts and Music
University of Melbourne
PRV12150 / CRICOS: 00116K